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The Brill Building era, epitomized by professional songwriting teams like Gerry Goffin and Carole King, had given way to the Beatles. (“Bus Stop” by the Hollies was one of the hits.) The mothers kept the radio tuned to WFIL, a Philadelphia Top 40 powerhouse in the mid-’60s. Heard pop music on the radio, on car-pool rides to and from the bus stop. “I WANT TO HOLD YOUR HAND,” my first number one, came out when I was five my sister had the 45. Exactly what is the Boy doing in this place? Fortunately, I will be here with him now, to keep an eye on things. Sensual pleasures are realized, and the arena in which achievement is measured: the place where you prove your manhood. The club is both an earthly paradise where all Like a lot of CHR songs, it takes place in “da club,” where Pitbull oils his way around the floor, calling women “Dahling” and remarking on their shapely behinds. The nation was near the bottom of its worst economic collapse since the Great Depression, but you wouldn’t know that from “Right Round.” Social realism is not what this song is about. But in “Right Round,” the surface meaning-From the top of the pole I watch her go down-is as lewd as the hidden one. And the hook was a double entendre for oral sex! Now, in my day, songwriters used double entendre to conceal the real meaning of the song. It concerned a man in a strip club watching the pole dancers spin. You spin my head right round right round When you go down when you go down down I missed the lyrics at first, but thanks to the repetitiveness of the CHR format-the playlist was closer to Top 10 than to Top 40-I didn’t have to wait long for the song to come right ’round again. EEeeoooorrrroooannnnnwwweeeyyeeeooowwwwouuuzzzzeeEE Sprays of words follow the jackhammer beats, sung-rapped by Flo and assisted on the hook by the barbaric yawp of the artist Kesha. The song begins with a swirly sound that goes right ’round your head in a tight circle. What strange song machines made these half-brass, half-stringedsounding noises? It was the winter of 2009, and “Right Round,” by Flo Rida, was the number-one song on Billboard’s Hot 100. Moreau, had he been a DJ rather than a vivisectionist.
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The speakers produced sounds such as might have been heard on the Island of Dr. Thumpa thooka whompa whomp Pish pish pish Thumpa wompah wompah pah pah Maaakaka thomp peep bap boony Gunga gunga gung Was this music? The bass sounded like a recording of a massive undersea earthquake. Hadn’t I reconfigured my parents’ radio to play my music when I was his age? And since there are only so many times you can listen to the guitar solo in Pink Floyd’s “Comfortably Numb” without going a little numb yourself, I made the Boy my DJ, at least for the day. I was irritated at first, but by the time we had crossed the Brooklyn Bridge and arrived at school, where he was a fifth-grader, I was pleased. No sooner seated up front than he reprogrammed the presets, changing my classic and alternative rock stations to contemporary hits radio, or CHR-what used to be called Top 40. VIRGINIA WOOLF, THE WAVESīring the hooks in, where the bass at? IGGY AZALEA, “FANCY”ġ | You Spin Me Round IT STARTED WHEN the Boy got big enough to claim shotgun. One cannot live outside the machine for more perhaps than half an hour. Luke: Teenage Dream 19 Speed Chess 20 Katy Perry: Altar Call 21 Melodic Math 22 Kesha: Teenage Nightmare CHORUS: Spotify 23 The Moment Space OUTRO: Songworm 24 “Roar” A Note on Sources Acknowledgments Making of K-Pop 14 “Gee” CHORUS: Rihanna: Track-and-Hook 15 “Umbrella” 16 “Ester Dean: On the Hook” 17 Stargate: Those Lanky Norwegian Dudes 18 “Rude Boy” BRIDGE: Dr. Pop and the Metalhead 3 Inside the Box 4 “The Sign” 5 Big Poppa 6 Martin Sandberg’s Terrible Secret 7 Britney Spears: Hit Me Baby 8 “I Want It That Way” CHORUS: The Money Note: The Ballad of Kelly and Clive 9 My Ancestral Hit Parade 10 The Dragon’s Teeth 11 The Doldrums 12 American Idol 13 “Since U Been Gone” SECOND VERSE: Factory Girls: Cultural Technology and the
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For Harry and Rose: The Melody and the BeatĬONTENTS HOOK: The Bliss Point 1 You Spin Me Round 2 A Continuity of Hits FIRST VERSE: Cheiron: Mr.